I’ve been doing high-end retouching for 12 years.
Two years ago I started my way in AI generation — and honestly it changed everything about how I work.
I’m drawn to dark aesthetics. Gothic, cold light, heavy shadows — that’s where I feel most at home and where my work is at its best. But if your vision is completely different, that’s fine too.
Adapting to what the project actually needs is part of the job. When I take on an AI shoot, I handle everything myself — the concept and art direction, building the location, creating the model with the right styling, makeup and hair, integrating your actual product or garment, retouching, color grading, and delivering the final files.
You hand me the idea and I hand you back something finished
A few things I take seriously:
Deadlines. The work is delivered when I said it would be. No surprises, no excuses.
Details. Twelve years of retouching trained my eye to catch what most people don’t notice — a shadow that’s slightly off, a tone that doesn’t sit right, a texture that breaks the illusion. That same eye goes into every AI image I make.
Revisions. If something isn’t right, we fix it. I don’t take feedback personally and I don’t disappear when a client changes direction. We get there together.
Client project for BOSS
We created AI-generated fragrance ingredient videos for the campaign, shaping each element in the brand’s required style and color direction. The visuals were designed to feel sensual and tactile, supporting the emotional concept of the campaign.
Agency: Dix Sept Paris
Post-production: Right Film
Created in collab with Shvets Creative
Client projects for L’Oreal
Keratin Alpha Sleek: Our task was to create each fragrance ingredient from scratch, show its specific qualities, and bring all elements together into one cohesive composition reflecting the product’s fragrance identity. The final result combines AI generation, manual compositing, and retouching in line with L’Oréal’s visual guidelines.
All-in-1 Performer: We created a series of high-end product stills focused on texture realism, clean composition, and precise material detail. The visuals were developed with AI, retouching, and 3D graphics in selected images, following L’Oréal’s visual guidelines.
Created in collab with Shvets Creative
Metal Detox Mask: here I created AI photo of a mask, a tons of variations in a tight deadline! Our team developed the idea, concept, and final reel to reflect the product’s properties and hold attention on social media. Built as a seamless loop with ASMR sound design, the video was created within a tight 10-day timeline using AI generation, compositing, and retouching, while staying aligned with L’Oréal’s visual style and guidelines.
Ai Art project — “Metamorphosis”
Moss is a series where nature slowly grows through the human body — moss spreading across brows and cheekbones, silk dissolving into living green. The images were shot on a real photoshoot, then enhanced with AI — the organic moss growth and transitions were added in post-production over the original photographs.
Photographer — Anastasia Grigorova (@asya_giro — inst)
MUAH — Sonya @makeupfro
Model & Ai artist — me
Fictional AI photos and video for TOM FORD
A fictional AI generated fragrance concept for Tom Ford, shaped around black orchid textures, deep shadows, and glossy botanical details.
Created in collab with Shvets Creative
Fictional AI campaign for ZARA Beauty
A fictional full-AI fashion concept created for Zara. All looks, models, styling, and campaign imagery were generated using AI, creating a complete editorial-style brand story without traditional production.
Created in collab with Shvets Creative
Fictional AI campaign for Zadig & Voltaire
Created in collab with Shvets Creative
I used real Zadig & Voltaire fur coat
