I’ve been doing high-end retouching for 12 years.  

Two years ago I started my way in AI generation — and honestly it changed everything about how I work. 

 I’m drawn to dark aesthetics. Gothic, cold light, heavy shadows — that’s where I feel most at home and where my work is at its best. But if your vision is completely different, that’s fine too.

Adapting to what the project actually needs is part of the job. When I take on an AI shoot, I handle everything myself — the concept and art direction, building the location, creating the model with the right styling, makeup and hair, integrating your actual product or garment, retouching, color grading, and delivering the final files. 

You hand me the idea and I hand you back something finished

A few things I take seriously:

Deadlines. The work is delivered when I said it would be. No surprises, no excuses.

 Details. Twelve years of retouching trained my eye to catch what most people don’t notice — a shadow that’s slightly off, a tone that doesn’t sit right, a texture that breaks the illusion. That same eye goes into every AI image I make. 

 Revisions. If something isn’t right, we fix it. I don’t take feedback personally and I don’t disappear when a client changes direction. We get there together.